Here’s today’s photo tip, with a return to basics for snappers of all levels… — Bonnie Bonnie Caton Great Escape Publishing ********************* October 14, 2009 The Right Way to Travel, Weekly Photo Tip *********************
Photo Lessons from an iPhone
By Shelly Perry in Portland, OR I have never been one of those people who have to have a phone to their ear or strapped to their hip. In fact, I rather like being unfettered. But my iPhone is so much more than a phone… I fear it’s become my second brain. And one of the features I use a lot is the camera. While the iPhone has some nice applications that can “process” an image, crop it, turn it into a cartoon or otherwise modify the photos it takes, it does not have any other camera controls. Without all the bells and whistles of a full-size digital camera, you have no choice but to think about composition… because that’s all you have to work with. But even with a complex SLR camera, you should still be thinking about composition first. Because proper exposure, focus, and other technical details can be learned and mastered. But without a strong composition, you’ll have a hard time selling your photo anywhere… whether as stock, editorial, or fine art. Here are three tips for making sure you’ve always got composition on the brain, no matter how simple or sophisticated your camera is: ** 1. Consider the entire frame. Every time you put the camera to your eye, look at the whole image from edge to edge — top to bottom, and left to right. Make sure that what you see is what you want. Is there garbage in the way or some other distraction in the shot? If so, then change your angle or perspective until you see just what you want and only what you want. This takes some patience, but it more than pays off in the end. ** 2. Go beyond the Rule of Thirds (more on the Rule of Thirds here) and think about the implied motion in the photo. Technically speaking, it’s best to place your subject on a Thirds Line, with the motion of the subject moving into the image — toward the center or across. Take these two shots, for example. In the first one, the subject is moving into the photo, while in the second one, she’s moving out of it. The first one is a much stronger composition: 
Travel Photography Resources
5 Dos and 2 Don’ts for Travel Photography
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Turning a Photography Hobby into a Monthly Income
The Pros Of Selling Your Images As Stock Photography
16 Mobile Photography Tips And Tricks Every Photographer Should Know


